In New Philosophy for brand new Media, Mark Hansen defines the picture in electronic artwork in phrases that transcend the purely visible. Arguing that the "digital snapshot" encompasses the total method wherein details is made perceivable, he locations the physique in a privileged place -- because the agent that filters details so one can create pictures. via doing so, he counters winning notions of technological transcendence and argues for the indispensability of the human within the electronic era.Hansen examines new media artwork and thought in mild of Henri Bergson's argument that affection and reminiscence render belief impure -- that we choose purely these photos accurately correct to our singular type of embodiment. Hansen updates this argument for the electronic age, arguing that we filter out the knowledge we obtain to create photographs instead of easily receiving photos as preexisting technical kinds. This framing functionality yields what Hansen calls the "digital image." He argues that this new "embodied" prestige of the body corresponds on to the electronic revolution: a digitized snapshot isn't really a hard and fast illustration of fact, yet is outlined via its whole flexibility and accessibility. it isn't simply that the interactivity of recent media turns audience into clients; the picture itself has turn into the body's strategy of perceiving it. to demonstrate his account of ways the physique filters details so that it will create photos, Hansen specializes in new media artists who stick with a "Bergsonist vocation"; via concrete engagement with the paintings of artists like Jeffrey Shaw, Douglas Gordon, and invoice Viola, Hansen explores the modern aesthetic funding within the affective, physically foundation of imaginative and prescient. The ebook contains over 70 illustrations (in either black and white and colour) from the works of those and plenty of different new media artists.
Radio, the main established medium on this planet, is a dominant mediator of musical that means. via a mix of serious research, interdisciplinary concept and ethnographic writing approximately neighborhood radio, this e-book presents a unique theorization of democratic aesthetics, with vital implications for the learn of previous and new media alike.
This e-book bargains a well timed dialogue concerning the interventions and tensions among contested and contentious fields, functionality and phenomenology, with overseas case stories that map an rising twenty first century terrain of serious and function perform. development at the foundational texts of either fields that tested the performativity of notion and cognition, functionality and Phenomenology keeps a practice that considers event to be the root of being and which means.
The Negritude circulation presents readers with not just an highbrow historical past of the Negritude stream but in addition its prehistory (W. E. B. Du Bois, the recent Negro move, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism). via viewing Negritude as an “insurgent concept” (to invoke this book’s deliberately incendiary subtitle), in place of in simple terms a kind of poetics and aesthetics, The Negritude circulation explores Negritude as a “traveling concept” (à los angeles Edward Said’s thought) that regularly crisscrossed the Atlantic Ocean within the 20th century: from Harlem to Haiti, Haiti to Paris, Paris to Martinique, Martinique to Senegal, and on and on with no sign of ending.
During this booklet, views in psychology, aesthetics, background and philosophy are drawn upon to survey the worth given to unhappy song by means of human societies all through historical past and at the present time. Why will we love hearing tune that makes us cry? This secret has questioned philosophers for hundreds of years and has a tendency to defy conventional versions of feelings.
Additional info for New Philosophy for New Media (MIT Press)