By Harry Underwood
In seven essays and a discussion, Underwood considers the critical cases of attractiveness because it unearths itself in daily adventure, as an idea within the brain of the thinker, because the artist’s imaginative and prescient, and because the shining snapshot of the right. contemplating the views of many remarkable figures within the Western canon of philosophy and literature for whom attractiveness and the mind's eye have mattered, together with Plato, Nietzsche, Auden, Coleridge, Proust, and Iris Murdoch, Underwood attracts out a rounded experience of attractiveness. it really is proven, on one view, to be inherent in a perceptible order and, on one other, to be an expression of the need to confer that means on a meaningless international. In paintings, good looks unearths itself to be either perceived and created, and a world-disclosing, truth-relaying strength. As a last topic, Underwood asks what it capability to include your personal imaginative and prescient of good looks and use it on your life’s work.
A quietly provocative meditation at the secret of good looks, this selection of essays contends that attractiveness serves existence as an thought, now not simply as an ornament.
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